IN 1975, CHARLIE RICH BURNED JOHN DENVER’S NAME ON THE CMA STAGE.
In country music, some moments last longer than the applause. One of them happened in 1975, when Charlie Rich stepped onstage at the CMA Awards to present Entertainer of the Year and pulled out a lighter instead of a simple announcement. He set the card on fire, then named John Denver anyway. Denver, accepting by satellite and unaware of the gesture in the room, heard the result without hearing the scene around it. The moment immediately felt bigger than one award. To some fans, it became a symbol of a larger argument: did John Denver belong in country music at all?
That question had already been building for years. By the mid-1970s, country music was wrestling with its own edges, its own definitions, and its own gatekeepers. John Denver’s warm, polished style sat uneasily beside the harder, rougher sounds some purists preferred. Even now, the meaning of Charlie Rich’s act is still debated. What is clear is that the story outlived the envelope. The card burned in seconds. The memory did not.
Fourteen years later, the answer came not as a speech, but as a song. In 1988 and 1989, the Nitty Gritty Dirt Band invited John Denver into the sessions for Will the Circle Be Unbroken: Volume Two, recorded at Scruggs Sound Studio. Before the tape rolled, someone asked, “Is this practice?” John Denver answered, “They’re all practice.” It was a small line, but it felt like a clue to how he worked: open, ready, and unafraid to sound like himself.
On “And So It Goes,” written by Paul Overstreet and Don Schlitz, John Denver did not harden his voice to fit a stereotype. He sang with the same gentle clarity that had always defined him. The single reached No. 14 on Billboard’s country chart, and the album went on to win three Grammy Awards. Then the Country Music Association gave Will the Circle Be Unbroken: Volume Two Album of the Year in 1989.
That detail made the victory feel almost cinematic. The same organization whose stage had once framed the burning card was now honoring the sound that had once been questioned. Not as a correction, exactly, but as a reminder that country music has always been bigger than one argument, one envelope, or one style.
“They’re all practice.”
Maybe that is the quiet lesson in the story. Some artists spend a lifetime proving they are allowed to be exactly who they are. John Denver never seemed interested in becoming someone else to win approval. He kept singing in his own voice, and eventually the room had to hear it. The card burned quickly. The voice stayed.
